30/9/11
"SOMEONE LIKE YOU", ADELE, THE VIDEO
28/9/11
GEORGE MICHAEL'S SYMPHONICA TOUR @ ESPAÑA / Spain
Video EFE, George Michael @ Madrid:
Video "LOVE IS A LOSING GAME", George Michael's tribute to Amy Winehouse @ Madrid:
27/9/11
CANCIONES SOBRE CORUÑA / Songs about Coruña ["RIAZOR", AMARAL]
Uno de los nuevos temas del disco de Amaral se llama "RIAZOR", nombre de la playa y estadio de fútbol de la ciudad de A Coruña y esto se ha visto reflejado en la prensa local. Aquí recogemos los artículos y el audio de la canción.
La balada de Riazor
El dúo pop Amaral dedica una canción al arenal coruñés en su próximo disco, como ya hicieron tanto los locales Deluxe como los incombustibles Los Suaves.
[LUIS P. FERREIRO, "La Opinión" A CORUÑA] El dúo zaragozano Amaral, compuesto por la vocalista Eva Amaral y el guitarrista Juan Aguirre, incluirá en su disco de inminente aparición Hacia lo salvaje una canción titulada Riazor, en la que el exitoso conjunto recuerda alguna de sus numerosas y, en la mayoría de los casos, exitosas visitas a la ciudad.Son muchos los vínculos que unen a Amaral con artistas locales: Juan de Dios trabaja habitualmente con el grupo, y Xoel López incluso llegó a compartir gira con los autores de Toda la noche en la calle como guitarrista. El líder de Deluxe, hace algunos años, incluyó en uno de sus discos una coqueta pieza instrumental titulada Paseo en bicicleta por la playa de Riazor, de cálida sonoridad entre surfera y morriconiana.Otros que dedicaron una canción al arenal coruñés fueron los incombustibles Los Suaves. Escenario de alguno de sus más sonados triunfos —el guitarrista Alberto Cereijo recuerda el recital playero de la banda de 1997 como uno de los mejores jamás ofrecidos por el conjunto—, los ourensanos rindieron un homenaje tanto a la playa como al Deportivo y sus seguidores con Riazor Blues. "Que tiene nombre de río, sonido de canción, corazón de cristal, sangre blanca y azul, cama de agua, donde regresa a dormir el sol", canta Yosi, haciendo una clara referencia tanto a la ciudad como al club. Pero no es esta la única canción de Los Suaves en la que se menciona la ciudad. En la olvidada Solo pienso en dormir, del disco de 1988, Ese día piensa en mí, el bigotudo vocalista relata una aventura galante de abrupto final con una joven coruñesa que tenía un plan nocturno radicalmente diferente al del veterano rockero: "La conocí en La Coruña, conmigo quiso venir. Piensa que soy Superman, y yo solo quiero dormir".Los otros titanes del rock gallego, Sinestro Total, incluso trataron el tema de la arcana rivalidad entre la ciudad natal del combo, Vigo, y A Coruña, con La balada de Cachamuiña y María Pita, en la que ambos héroes locales mantenían un tórrido romance: "Riazor, Balaídos, Samil, Santa Cristina, Peinador y Alvedro, unidos por la autopista", sugería Julián Hernández con su habitual retranca.Los murcianos M Clan también mencionan la ciudad en su canción de carretera Quedamos en Vigo, que incluye una clara referencia a la Torre de Hércules: "ayer en Coruña llovía, soñaba que un faro me guiaba, soñaba que el bosque no ardía, quedamos en Vigo esta noche".Aunque la mención más internacional a la ciudad fue el "Me gusta La Coruña, me gustas tú" que proclamó Manu Chao, cuyos vínculos con Galicia son sobradamente conocidos, en uno de sus éxitos.
Amaral le canta a la playa de Riazor.
[Pablo Portabales. "La Voz de Galicia". 31/7/2011]Voy en el coche escuchando el Hey Soul Sister de Train. Es una de esas canciones que anima. Te sientes por unos segundos como en un anuncio mediterráneo de cerveza en el que todo es maravilloso, hasta la chica a la que el protagonista besa al final. Y es que hay canciones que te transportan. No me quiero poner trascendental, que además estamos en verano y hasta salió el sol, pero cuando escucho, por ejemplo, El Marta, Sebas, Guille y los demás de Amaral siempre me acuerdo de mis tres mejores amigos y me entran unas ganas enormes de verlos. Por cierto, que en septiembre saldrá al mercado el sexto disco del grupo aragonés, Hacia lo salvaje, que incluye una canción que transcurre en la ciudad de A Coruña y que lleva por título Riazor. Me lo contó esta semana la mano gallega que hace sonar a Amaral, Juan de Dios. «Lo estuve produciendo y grabando en el estudio del grupo en Madrid y, tras algo más de dos meses de producción nos hemos venido a Nueva York a mezclarlo con Michael Brauer en los estudios Electric Lady, originalmente propiedad de Jimi Hendrix», relata desde la ciudad de los rascacielos este coruñés que lleva toda su vida vinculado a la música. Íntimo amigo y miembro de la propia banda de Xoel López, lo conocí hace muchos años, cuando se dedicaba a cantar versiones de Los Secretos. Un gran tipo y genial músico que cuando era niño siempre quería hacerse fotos con los artistas famosos. Por ponerle un defecto, su nivel de fotografía, que deja patente con la que me envió en la que está flanqueado por Juan Aguirre y Eva Amaral por las calles de Nueva York. «Lo masterizamos con Greg Calbi y será el estrenó del recién estrenado sello del grupo, Discos Antártida», destaca Juan, que con este trabajo con uno de los grupos más importantes del país ve recompensada su dilatada carrera musical. Chris Taylor, un bajista de Londres, Toni Toledo, batería de Sexy Sadie, y Juan y Eva se metieron en un estudio a grabar y había un gallego en los controles, la mano que hace sonar a Amaral.
Audio+letra/lyrics "RIAZOR", Amaral:
26/9/11
"HACIA LO SALVAJE", AMARAL (27/9/2011)
Audio "HACIA LO SALVAJE", Amaral:
Video "HACIA LO SALVAJE", Amaral:
25/9/11
26-10-2011 ("SOMETIMES" & "ALWAYS") VUELVE ERASURE is back
Video "ALWAYS", Erasure:
Audio "WHEN I START TO BREAK IT ALL DOWN", Erasure 2011:
23/9/11
"BLOODSTAINED HEART", DARREN HAYES
22/9/11
R.E.M. SE SEPARA / Breaks up
R.E.M. have announced on their web page their break up as a band with these words:
"To our Fans and Friends: As R.E.M., and as lifelong friends and co-conspirators, we have decided to call it a day as a band. We walk away with a great sense of gratitude, of finality, and of astonishment at all we have accomplished. To anyone who ever felt touched by our music, our deepest thanks for listening." R.E.M.
["A nuestros Fans y Amigos: Como R.E.M., y como amigos de toda la vida y co-conspiradores, hemos decidido acabar como banda. Nos separamos con un gran sentido de gratitud, de finalidad y de sorpresa con todo lo que hemos conseguido. A cualquiera que se haya sentido tocado alguna vez por nuestra música gracias por haber escuchado." R.E.M.]
Video "IT'S THE END OF THE WORLD". R.E.M.:
21/9/11
"THERE GOES MY EVERYTHING/EN GANG ÄR INGEN GANG", ENGELBERT HUMPERDINCK & FRIDA
Vamos de versiones, con un clásico de los 60, que han cantado muchos. Yo lo conocí originalmente en la voz de Engelbert Humperdinck y muchos años más tarde en sueco por Frida, aunque ella la versionara también en esa época "THERE GOES MY EVEYTHING" ("Ahí va mi todo").
Cover versions today, a classic 60s tune, performed by several. I heard it originally by Engelbert Humperdinck and many years late in Swedish by Frida, though she had covered it around that time "THERE GOES MY EVERYTHING".
Audio Frida:
Video "There goes my everything", Engelbert Humperdink:
Video "There goes my everything" from 'Blackpool' TV-series:
20/9/11
TINO CASAL: HOMENAJE 20 AÑOS DESPUÉS DE SU MUERTE / Tribute 20 years after his death
Video "ELOISE", Tino Casal:
19/9/11
"EN ESTE MUNDO RARO", VUELVEN LOS SECRETOS are back
18/9/11
MARTA SÁNCHEZ & SERGIO DALMA: "EN TUS BRAZOS"
Video "EN TUS BRAZOS", Marta Sánchez & Sergio Dalma:
15/9/11
VICTOR MANUEL, VIVIR PARA CANTARLO @ CORUÑA
Videos promocionales "VIVIR PARA CANTARLO", Víctor Manuel:
11/9/11
ROXETTE-BARCELONA: EL CONCIERTO CAMBIA DE RECINTO Y SE GRABARÁ PARA DVD / The concert changes venue & will be recorded for DVD
Video Roxette @ Praga / Prague 2011:
11/9/01, 10º ANIVERSARIO / 9/11, 10th anniversary
9/9/11
SUZANNE VEGA: "LUKA" EN ESPAÑOL / In Spanish
El 6 de noviembre de 2009 ya presentamos en este blog distintas versiones de este clásico de Suzanne Vega "LUKA", en gente tan dispar como Di Elas, la banda de Luís Tosar y los Lemonheads. Hoy volvemos a oir versiones, las dos en la voz de Suzanne, pero en idiomas distintos inglés y castellano.
On November 6th 2009, we already presented in this blog different version of Suzanne Vega's classic "LUKA", in such different people as Di Elas, Luis Tosar's band and the Lemonheads. Today we listen to covers, both in Suzanne's voice, but in different languages English and Spanish.
Video "LUKA", Suzanne Vega en español/in Spanish:
7/9/11
ABBA, "JUST LIKE THAT": LA HISTORIA DE UNA CANCIÓN INÉDITA / The story of an unreleased song
Today we tell the story of "JUST LIKE THAT", one of the last songs recorded by Abba that never saw its official release, except for the Abba Undeleted from the "Abba, Thank you for the music"-box. We include audios of the song. One with the different versions of the song. And also the story of it.
Tomado de/Taken from http://en.wikipedia.org/wiki/List_of_unreleased_ABBA_songs
•Just Like That” is the title of one of Swedish pop group ABBA’s last songs, and has caused a lot of interest and hype among ABBA fans as it has not yet been released in its entirety.
ABBAs composers Benny Andersson and Björn Ulvaeus wrote “Just Like That” sometime in the springtime of 1982, and the group started recording sessions with this and a handful of other new songs in the beginning of May that year. The composers however lost interest in the track after several attempts at recording it, and decided in early June to put the “Just Like That” tapes aside. Journalists visiting ABBA in their studio during these sessions wrote about the new material, and fans thus heard of the new ABBA songs to come. Two titles were mentioned: “Just Like That” and “I Am The City”. Just Like That was also mentioned in an official Polar Music Press release in the summer of 1982. It stated that the song was completed and would be released on the next studio album. However, the outcome of these last recording sessions during the summer months of 1982 was two singles released in August and November 1982 respectively: “The Day Before You Came”/”Cassandra”, and “Under Attack”/”You Owe Me One”. The a-sides were included in the new ABBA release The Singles: The First Ten Years, a double LP celebrating ABBA’s singles from 1973 until 1982. Although the foursome stated the group would continue work in 1983, this eventually did not happen.
During 1983, demo versions of later unreleased ABBA songs were circulating amongst London’s theatreworld as being possible melodies for the up-coming Rice/Andersson/Ulvaeus musical Chess. These then became bootleg versions circulating among fans during the 1980s, and as such there has been a growing interest for their official release. Benny and Björn allowed for a snippet of “Just Like That” to be released in a ‘medley’ track in a box set released in 1994: Thank You For The Music, but this became nothing but a teaser for the avid ABBA fan. The “Just Like That” ‘snippet’ released in 1994 revealed the chorus of the track only, and not only did it include an unmistakenly shared vocal by Agnetha and Anni-Frid, but also a saxophone solo by Raphael Ravenscroft, who worked on Gerry Rafferty‘s hit “Baker Street” in 1978 (one of the few times that ABBA used a musician outside the usual ABBA circle).
In June 1982 the song was shelved, but after ABBA split up, Benny and Björn looked at the song again, and in 1984 decided to rework both composition and lyrics and ended up with two new songs. The first, which kept the original “Just Like That” chorus, was recorded by Swedish duo Gemini when Benny and Björn wrote songs and produced their first album in 1985. “Just Like That” was even released as a Gemini single in the UK. The other part of the song, composed around the original “Just Like That” verses, had the demo title “When the Waves Roll out to Sea”, and as such was one of the songs tried out (by both Elaine Paige and Tommy Körberg) as “With The Stars Shine In The Sky” during sessions for Benny and Björn’s work with Tim Rice for the Chess musical, but it was once again put aside.
The ABBA version, with its composition of verse and chorus, was left unsatisfactory by Benny and Björn in June 1982. They have stated this first version sounded ‘wrong’: verse and chorus did not fit together, and that is why it was scrapped, and the two admit this happens regularly in their way of writing music: a mediocre song can become a bridge or a riff in another song, and a good melody line can lie around for years until it surfaces in a composition.
“When the Waves Roll out to Sea” surfaced when Benny was working on the Swedish staging of Chess -- Chess På Svenska -- in 2002, as the 1984 musical by now had a new libretto and new material was needed. The verses to the old “Just Like That” were added to a new chorus in 1984, and now it found its place in Chess -- almost 20 years later -- as the number “Glöm Mig Om Du Kan”, a ballad sung by the Russian character Molokov, with Swedish lyrics by Björn.
There are at least two known bootleg demo versions of ABBA’s original version of “Just Like That”. The first attempt at recording the song has become known as the ‘slow’ version, or ‘dream’ version. This version has a simple instrumental melody in between the verses and the choruses. Also apparent is a guitar riff that eventually made its way into the verse melody of ABBA’s last official single release, “Under Attack” (“Don’t know how to take it/don’t know where to go/my resistance’s running low…”).
The second version of the song is known as the ‘na na na’ (or ‘la la la’) version. The song is essentially the same as the first; the same backing track and arrangement, but this time, with Agnetha singing emotional ‘na na na na’s on top of the instrumental melody.
The final and completed version of the song has become known as the ‘saxophone’ version. This is the official ‘final mix’ of “Just Like That”. This version is very different to the first two, with a different arrangement and a new backing track. In place of the previous instrumental melodies/’na na na’ vocal overdubs, there are lengthy saxophone riffs (courtesy of Raphael Ravenscroft). This version of the song is the only version to be released, albeit not in its entirety.
Michael B. Tretow, ABBA’s recording engineer throughout their whole career, did the editing of the released version of the track for the 1994 box set, and did a fine job in cutting and pasting the track, leaving the chorus to repeat in a loop (and thus not ‘releasing’ the melody in the verses).
Carl Magnus Palm, author of the ABBA biography Bright Lights, Dark Shadows” in 2001, states in his 1994 book ABBA -The Complete Recording Sessions on this last version that this “…is what would have reached the listener’s ears had the track been released”.
Agnetha said in 1994: “I haven’t heard it in several years, but I remember it as a very good song and recording. It is one of my big favourites, and I hope it’s going to be released one day”.
The lyrical theme seems to have been transferred from the shelved “Just Like That” in June 1982 to the lyrics for “The Day Before You Came“, which were recorded in August the same year: “Until that day/My life had been a river/Following the same/pre-destinated course/Suddenly detouring so unexpectedly/With uncompromising force/My strongholds broke down all too easily/I remember well/How it did embarrass me/I hung on to his every smile/Marveled at his style/ [...] /Just like that…/And once again/the river’s flowing slowly/Following the same and uneventful course/Now the tears have dried/it’s become a pleasant break/I recall without remorse/But now and then/I wonder where he is/And I will admit/he had something that I miss/I guess he was a rolling stone/The only one I’ve known…”
The song was originally intended to be featured in the ABBA musical, “Mamma Mia!“, sung as a love duet between Sophie and Sky, but was removed during rehearsals, as it did not progress the story.
Audio "JUST LIKE THAT" a composition in process:
So, I decided to make a movie, which contains every step of composition of the song "Just like That" by ABBA. The first part is the version called "Slow Version". The second part (with a different Intro) is the "Na, Na ,Na Version". The third part is the last version of ABBA and is called "Sax-Version". All these Songs were recorded in 1982. The fourth has another chorus, this song`s called "When the waves roll out to sea" and has been recorded in 1983. The Fifth part is a Chess demo sung by Elain Paige. This version contains another verse.
The sixth part is the finall version of "Just like that" sung by Gemini in 1985. In the oppinion of Benny and Bjorn is this the final and best version, but i think, the ABBA Versions are bettter. Hopefully they will release the song. ( The quality isn`t good, because these songs are just Demos) Enjoy....
Audio "JUST LIKE THAT", Abba:
6/9/11
PRESUNTOS IMPLICADOS "BANDA SONORA": NUEVO DISCO SALE HOY / New album out today
5/9/11
FIGUERES, "SALVADOR DALI CANTA" (+Ana Torroja, Amaral...)
4/9/11
KATIE MELUA, "GOLD IN THEM HILLS": SU NUEVA CANCIÓN / Her new song ("SECRET SYMPHONY" nuevo/new album)
Audio + letra en pantalla/on screen lyrics:
Video "GOLD IN THEM HILLS", Ron Sexsmith+Chris Martin:
Video "GOLD IN THEM HILLS", Katie Melua, German TV alemana (+interview):
3/9/11
ABBA: "YOU CAN DANCE" FOR Wii
Noticia/News @ abbasite.com:
September 1, 2011– Today, Ubisoft® announced the development of a new video game based on the music and performances of Swedish supergroup ABBA. The name of the game? ABBA You Can Dance. Developed exclusively for the WiiTM system from Nintendo by Ubisoft Paris, the studio that created and defined the genre with the Just Dance® series, as well as Ubisoft Montpellier and Ubisoft Bucharest, ABBA You Can Dance will be released worldwide in November.
ABBA created music that spanned generations and has inspired millions to sing and dance. ABBA You Can Dance features 25 ABBA songs, including all of the group’s biggest hits, such as “Dancing Queen,” “Mamma Mia,” “Take a Chance on Me” and “Waterloo.” The game’s professionally choreographed routines and unique environments were inspired by the group’s music videos and live performances.
“In the video game market, Ubisoft is the dancing king,” said Tony Key, U.S. senior vice president of sales and marketing at Ubisoft / Geoffroy Sardin, EMEA chief marketing and sales officer at Ubisoft. “With ABBA You Can Dance, players can dance, they can jive, and they can have the time of their lives, all thanks to ABBA’s music and Ubisoft’s latest entertaining dance video game.”
With ABBA You Can Dance, Ubisoft is making it possible for more people to join in on the fun of a dancing game. Two players can sing along to lyrics that appear on-screen, while up to four players can simultaneously perform the dance moves. A mini-musical mode lets players act out the key roles in a love story based on some of the group’s classic songs. ABBA You Can Dance also includes original video clips and displays anecdotes about the group that even die-hard fans will find entertaining and informative.
2/9/11
"MERAVIGLIOSA CREATURA/MARAVILLOSA CRIATURA", GIANNA NANNINI & SERGIO DALMA
Video "MARAVILLOSA CRIATURA", Sergio Dalma: